How I Met Your Mother: The bitch chronicles, part 4 — Plain bitch

Earlier bitch chronicles have celebrated highly evolved bitches, but How I Met Your Mother (HIMYM) acknowledges bitch’s baser uses, too. For instance, you can deploy weaponized bitch against people you hate or despise. You can use it glibly to abuse anyone outside your own group, exactly the opposite of using bitch to build solidarity within the group. But you cannot use basic bitch against a woman friend, neither to her face nor indirectly in a way that gets back to her. HIMYM demonstrates over and over just how rhetorically and stylistically impressive a bitch can be, but some bitches confront a stone face and stop time. Continue reading

How I Met Your Mother: The bitch chronicles, part 3 — Little Miss Appropriation

Profanity, sometimes the language of celebration, also often gives us something to celebrate. In comedy, it can signify a character’s superiority to situation, the fluid personality unimpeded by almost inevitably hostile circumstance, even if that’s just the prospect of meeting someone in a bar, or dealing with star-crossed love or your crazy parents, or whatever. Profanity provokes a smile or chuckle, too, when it’s used against type, when the good girl emits an unexpected fuck. Who saw that coming? It’s a verbal pratfall.

In earlier installments of the bitch chronicles, we’ve observed these stylistic effects in the situation comedy How I Met Your Mother, its sure-tongued use of son of a bitch and various euphemisms for it, especially Lily Aldrin’s Inigo Montoya-influenced You son of a beetch. It was all in good fun, but some of HIMYM’s bitching appropriates Black Language and whitewashes it for a mass audience. That’s not fun for everyone. On this point, HIMYM is inadvertently political. Its misappropriations of African American-inflected bitch ring false and rather than promote comedy interfere with it, at least for some viewers.

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How I Met Your Mother: The bitch chronicles, part 2 — You son of a beetch

Our last bitch chronicle ended by observing that son of a bitch is semantically poetic. The sounds of son of a bitch can be poetic, too. It takes stress at different points for different expressive purposes: son of a bitch is different from son of a bitch is different from son of a bitch. So, there’s value in the full and precise articulation of the phrase, but also pragmatic value in truncating the phrase, or extending it, or playing with it euphemistically.

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How I Met Your Mother: The bitch chronicles, part 1 — Son of a bitch

The situation comedy How I Met Your Mother (HIMYM), created by Craig Thomas and Carter Bays, aired for nine seasons (2005–2014) on CBS. The show focuses on the complicated friendships among five twenty-/thirty-somethings: Ted Mosby (played by Josh Radnor) is an architect from Cleveland, Ohio; Marshall Erikson (Jason Segel), a lawyer, hails from Minnesota; his girlfriend/fiancée/wife, Lily Aldrin (Alyson Hannigan) is a kindergarten teacher and New York native. Ted, Marshall, and Lily met while students at Wesleyan University. They are joined by Barney Stinson (Neil Patrick Harris) and Robin Scherbatsky (Cobie Smulders), a Canadian trying to make a career as a news reporter/anchor. Their antics are framed by Ted’s voice-over explanation to his children (the voice belongs to Bob Saget), in 2030, about how he met their mother, Tracy McConnell (Cristin Milioti), whose face we first see in Season 9. It’s not television for the impatient.

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Euphemism: Diabolical or divine?

Led by the likes of A. S. Colborne and Roland Sawyer, millions of Americans have joined anti-profanity movements and sworn to eradicate swearing. Despite their fervor and persistence, nothing much has changed over the last century or so. Well, except that there’s more swearing. Perhaps only divine intervention can rid the world of bad language. That’s more or less what the newish, unusual NBC sitcom The Good Place proposes.

The Good Place premiered on NBC on 19 September 2016 and ran for thirteen episodes. It’s been renewed for a second thirteen-episode season to begin 28 September 2017. Its creator and show-runner, Michael Schur, has a sense of humor devilish or divine, depending on how you look at it. Here’s the premise: just a few remarkably good and productive people make it to the Good Place and everyone else — statistically, everybody — goes to the Bad Place.

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