We like ass at Strong Language, and it’s an impressively productive piece of vocabulary. Recently I came across a whole new use of it – new to me, that is – in Jay Dobyns’s undercover-biker memoir No Angel. That use is unass, and it turns out to have more than one meaning.
Here it is in Dobyns’s book:
1. About a hundred miles in, we pulled off at Cordes Junction to gas up. We stopped at a Mobil and unassed. My legs and shoulders were killing me.
Profanity, sometimes the language of celebration, also often gives us something to celebrate. In comedy, it can signify a character’s superiority to situation, the fluid personality unimpeded by almost inevitably hostile circumstance, even if that’s just the prospect of meeting someone in a bar, or dealing with star-crossed love or your crazy parents, or whatever. Profanity provokes a smile or chuckle, too, when it’s used against type, when the good girl emits an unexpected fuck. Who saw that coming? It’s a verbal pratfall.
In earlier installments of the bitch chronicles, we’ve observed these stylistic effects in the situation comedy How I Met Your Mother, its sure-tongued use of son of a bitch and various euphemisms for it, especially Lily Aldrin’s Inigo Montoya-influenced You son of a beetch. It was all in good fun, but some of HIMYM’s bitching appropriates Black Language and whitewashes it for a mass audience. That’s not fun for everyone. On this point, HIMYM is inadvertently political. Its misappropriations of African American-inflected bitch ring false and rather than promote comedy interfere with it, at least for some viewers.