When “nuts!” was taboo

What’s a nice interjection like nuts! doing in a place like Strong Language, home of brazen epithets and unexpurgated swears? Nuts: such a mild word, so fusty and old-fashioned, so suitable for children’s tender ears.

Well, it wasn’t always that way. For several decades in the middle of the 20th century, nuts and its facetious cousin nerts were deemed so inappropriate that they were forbidden—along with, but not limited to, whore, SOB, damn, hell,  fanny, and slut—in the scripts of Hollywood movies. (Needless to say, fuck and shit were too scandalous to merit mention.) It took a famous World War II battle, and the gradual loosening of the censorious rules known as the Motion Picture Production Code, to bring nuts, nerts, and nuts to you into semi-respectability and finally to quaintness.

Habanero Honey Peanut Butter from Nuts to You, “the leading nut house in Philadelphia”

Continue reading

Sweary not sweary: Joe Pesci in Home Alone

With Joe Pesci back in the spotlight thanks to The Irishman, and Christmas just around the corner, I’ve been remembering one of his finest performances – as hapless burglar Harry Lyme in Home Alone. It’s easy to forget how against-type this role was for Pesci, best known for playing menacing, foul-mouthed criminals in gangster films like Casino:

(Don’t miss the TV version, with its fancy hecking swear-avoidance.)

When Pesci was sent the script for Home Alone, he ‘saw he could do something with it’, according to executive producer Mark Levinson. But the filmmakers knew that Harry Lyme would be a challenge for Pesci. In a behind-the-scenes featurette on the DVD, director of photography Julio Macat says:

Continue reading

Go ahead and register your scandalous trademark . . . but the Supreme Court will judge your choices

You’re in luck if you sell FUCK ME formalwear, own the NO SHIT diner, or produce HEY ASSHOLE pepper spray. You’ll soon be able to head over to the website of the United States Patent and Trademark Office (USPTO) and register those trademarks. Because the U.S. Supreme Court has just ruled in the Brunetti case that the statutory bars on registering “scandalous” and “immoral” trademarks are unconstitutional.

But you better move quickly . . . A passel of the Justices is not pleased with this outcome. (The moral panic during the oral argument was sort of a red flag.) Continue reading

Shiiiiiit: The how and why of swearing in TV series

This is a guest post by Monika Bednarek, a linguist who has extensively analyzed US TV series. She is the author of Language and Television Series and the editor of Creating Dialogue for TV, a collection of interviews with Hollywood screenwriters. She has created a companion website at www.syd-tv.com and tweets at @corpusling.

* * *

The use of swear words in US TV series attracts a lot of attention. There are those who revel in creating mash-ups of swearing, and there are those who monitor and oppose swearing (like the Parents Television Council). Rules by the Federal Communications Commission restrict the broadcasting of profane and indecent speech to the evening and night and forbid obscene speech. But these rules don’t apply to subscription-based television such as cable or streaming services. Elsewhere I’ve looked at how frequent swearing is, but here I want to approach swearing a little differently. Basically, what I’m asking is: How do TV series use swear words? And what are their functions?

Let’s start with the first question. Most TV series do seem to use at least one swear word, especially if expressions such as oh my god are counted. But there are a lot of different ways in which TV series can handle swears. I’ve tried to catalogue some of these below.

Continue reading