Profanity, sometimes the language of celebration, also often gives us something to celebrate. In comedy, it can signify a character’s superiority to situation, the fluid personality unimpeded by almost inevitably hostile circumstance, even if that’s just the prospect of meeting someone in a bar, or dealing with star-crossed love or your crazy parents, or whatever. Profanity provokes a smile or chuckle, too, when it’s used against type, when the good girl emits an unexpected fuck. Who saw that coming? It’s a verbal pratfall.
In earlier installments of the bitch chronicles, we’ve observed these stylistic effects in the situation comedy How I Met Your Mother, its sure-tongued use of son of a bitch and various euphemisms for it, especially Lily Aldrin’s Inigo Montoya-influenced You son of a beetch. It was all in good fun, but some of HIMYM’s bitching appropriates Black Language and whitewashes it for a mass audience. That’s not fun for everyone. On this point, HIMYM is inadvertently political. Its misappropriations of African American-inflected bitch ring false and rather than promote comedy interfere with it, at least for some viewers.
Ass shows up a lot on Strong Language. We’ve looked at kick ass and my ass, lick-my-ass and assclowns and asshats, among other-ass things – or other ass-things, if you prefer the xkcd hyphenation. (See Language Log for a lit-ass –ass lit review.)
As a suffix, –ass is used to form ‘generally negative (but increasingly positive too) adjectives and occasionally nouns’, notes Green’s Dictionary of Slang. This Janus nature recurs in slang, as in the contradictory shit vs. the shit. And you can’t spell Janus without anus.
A search for ass on GDoS currently yields 137 results, and the main entry for ass (n.) has 184 subentries, with compounds like ass-bucket (‘unpopular or unimportant person’) and expressions like give up the ass (‘accede to seduction’) and up to one’s ass in alligators (‘in very serious troubles’).
Ass, in short, gets around. It’s a seriously productive-ass piece of vocabulary.
Our last bitch chronicle ended by observing that son of a bitch is semantically poetic. The sounds of son of a bitch can be poetic, too. It takes stress at different points for different expressive purposes: son of a bitch is different from son of a bitch is different from son of a bitch. So, there’s value in the full and precise articulation of the phrase, but also pragmatic value in truncating the phrase, or extending it, or playing with it euphemistically.
The situation comedy How I Met Your Mother (HIMYM), created by Craig Thomas and Carter Bays, aired for nine seasons (2005–2014) on CBS. The show focuses on the complicated friendships among five twenty-/thirty-somethings: Ted Mosby (played by Josh Radnor) is an architect from Cleveland, Ohio; Marshall Erikson (Jason Segel), a lawyer, hails from Minnesota; his girlfriend/fiancée/wife, Lily Aldrin (Alyson Hannigan) is a kindergarten teacher and New York native. Ted, Marshall, and Lily met while students at Wesleyan University. They are joined by Barney Stinson (Neil Patrick Harris) and Robin Scherbatsky (Cobie Smulders), a Canadian trying to make a career as a news reporter/anchor. Their antics are framed by Ted’s voice-over explanation to his children (the voice belongs to Bob Saget), in 2030, about how he met their mother, Tracy McConnell (Cristin Milioti), whose face we first see in Season 9. It’s not television for the impatient.
As far as strong language goes, sausage party is hardly spicy. It’s a mild slang term for a social gathering in which men greatly outnumber women, usually expressed with a sense of bro-ish disappointment by its male members, er sausages. But a new adult computer-animated movie, Sausage Party, is getting a big rise out of its ham-handed innuendo.