In the 1950s the aerospace corporation Lockheed developed a single-seat, high-altitude plane under great secrecy, built by a small team of engineers in the company’s Skunk Works facility. The craft was not designated B or F, being neither bomber nor fighter: this was a spy plane. But an R for reconnaissance would not be discreet, so it was given a low-key U, for utility, and a 2 for its place in the development chain.
That’s the official story behind the U-2’s name, and there’s no real reason to doubt it. But there’s an apocryphal – and sweary – alternative, described by Phil Patton in his book Travels in Dreamland: The Secret History of Area 51 (Orion, 1997). Patton’s anecdote features top test pilot Tony LeVier and pioneering aircraft designer Clarence Johnson, who ran Skunk Works and was nicknamed Kelly for his pugnacious streak.
On the U-2’s maiden trip in 1955, LeVier was in control and Johnson flew behind in support. It was a tough aircraft to fly, nicknamed the Dragon Lady for good reason, apparently:
Fuck, shit, bollocks, twat, bloody, and cunt are not the seven words you can never say on television – they’re six words that Susie Denthas said on television. Susie Dent’s Guide to Swearing, a new mini-series from Channel 4, offers an informative and irreverent summary of the history and use of some of our favourite bad words. You can watch the full series below.
A word-history specialist and broadcaster, Dent has written several books on language, most recently Dent’s Modern Tribes. She is best known as the resident lexicographer in ‘dictionary corner’ on Countdown, a perennially popular British TV game show. We can’t not mention that Countdown inadvertently produces the odd rude word to great general amusement.
Though she went to a convent school and was not allowed to swear at home (aside from an occasional bloody that ‘managed to fly below the radar’), Dent tells me she didn’t rebel into foulmouthedness. She loves swear words but doesn’t swear often – except at moments of stress or pain, when it ‘most definitely helps’. There’s a word for that:
Earlier this month, Whores of Yore published a set of letters that James Joyce wrote to his wife, Nora Barnacle. These letters are taken from Richard Ellmann’s Selected Letters of James Joyce (Faber & Faber, London), and they are delightfully raunchy filth. Joyce’s discussion of topics including masturbation, anal sex, coprophilia and his sexual desire for his wife are frank enough to even make a Strong Language reader blush a little.
“Nora, my faithful darling, my sweet-eyed blackguard schoolgirl, be my whore, my mistress, as much as you like” (2 December 1909)
Here Joyce affectionately uses a term that means ‘dishonourable’ or ‘villainous’, which may be lost on the modern reader. He also uses the term a half a dozen times in Ulysses, but only ever in reference to men.
It’s the Year of the Cock. No, no, not that Year of the Cock, when TIME named Donald Trump its 2016 Person of the Year. Today marks Lunar New Year, and for many of its Chinese celebrants, 2017 is the Year of the Rooster – or, if we’re not so prudish, Cock. But what’s all this cockeyed rooster/cock cockamamie about, anyway?
I wrote about some of the diverse uses of the bird, the single-digit salute, the flip-off—the finger—in my book Damn!, and subsequently here at Strong Language in my digital piece, “Bird is the Word.” I found roots that harked back to a passage in The Clouds by Aristophanes, and to ancient Rome, where it was called the digitus impudicus, or the “impudent finger.” In an epigram of the first century poet Martial, he “points his finger, and the insulting one at that, towards Alcon, Dasius and Symmachus.” Emperor Caligula offering of his extended middle finger, rather than his hand, to his subjects to kiss was seen as scandalous. But that was Nero for you. What else did you expect? The gesture became so abhorrent that Augustus Caesar banished an actor from Rome for giving the finger to an audience member who hissed at the man during a performance. Although my next book, the cookbook memoir Not My Mother’s Kitchen, did not contain a single cussword or allusion to one, I discovered along the way that the Italian peninsula still had their fingers on the pulse of profanity—only this time with figs. Continue reading →