13 Reasons Why is an interesting, stylish, well-acted, and controversial television series adapted by Brian Yorkey for Netflix from Jay Asher’s novel Thirteen Reasons Why (2007). The series is thick with coming-of-age themes. Profanity is one of them, and it’s all over the dialogue, as you’d expect, but one of its central characters, Clay Jensen (played by Dylan Minette) memorably awakens to both the pleasure and the gravity of profanity in “Tape 4, Side B” (1.8), which aired, with the rest of the series, on 31 March 2017.
As the series opens, Hannah Baker (played by Katherine Langford) has committed suicide and has recorded her reasons for doing so — thirteen of them — on cassette tapes sent after her death to the people she holds responsible for it. That’s a disturbing premise, and some critics found the presentation of it troubling, as well. Clay isn’t one of those reasons, though the tapes are delivered to him, too, and he listens to them, gradually learning what things had been going on in Hannah’s life besides their falling in love, horrible things, things swearing was made to resist and relieve. Continue reading
Earlier this month, Whores of Yore published a set of letters that James Joyce wrote to his wife, Nora Barnacle. These letters are taken from Richard Ellmann’s Selected Letters of James Joyce (Faber & Faber, London), and they are delightfully raunchy filth. Joyce’s discussion of topics including masturbation, anal sex, coprophilia and his sexual desire for his wife are frank enough to even make a Strong Language reader blush a little.
Before I’d even stopped blushing, there were some words that got me thinking. And so, I present some annotations to some of the language in the letters. Thanks to Green’s Dictionary of Slang, The Oxford English Dictionary (OED), Merriam-Webster (MW) and Dictionary.com for providing a trove of information.
“Nora, my faithful darling, my sweet-eyed blackguard schoolgirl, be my whore, my mistress, as much as you like” (2 December 1909)
Here Joyce affectionately uses a term that means ‘dishonourable’ or ‘villainous’, which may be lost on the modern reader. He also uses the term a half a dozen times in Ulysses, but only ever in reference to men.
Last year we introduced a year-end roundup celebrating the best in sweary language: The Tucker Awards. The Tuckers are named after the one and only Malcolm Tucker, Peter Capaldi’s gloriously obscene character from the BBC’s political satire The Thick of It and the big-screen version In the Loop.
Let’s get started with 2016’s best moments in swearing. As Mr. Tucker would say, come the fuck in or fuck the fuck off.
“Hang him, mechanical salt-butter rogue!” Falstaff colorfully denounces Master Ford as a working-class peon in The Merry Wives of Windsor (2.2.246). Shakespeare packs this gender and class comedy with pranks, pratfalls, and, yes, profanity. But no swearing is quite as memorable, and impressive, as its famed Latin lesson. That’s right: It wasn’t enough for the Bard to concoct his artful swears in his English. He cooked them up in Latin, too.
Shakespeare’s The Life of Timon of Athens is an overlooked gem in his corpus. Though less accomplished than many of his other tragedies, this moral drama is distinctive – and timely – in its focus on the relationship between money and affection. It satirizes some amusing characters, including a churlish cynic philosopher and two artists who only ply their craft to win rewards. The play also features some choice language.