British comedy singing group Fascinating Aïda have some wise words of advice for you this Christmas:
Lyrics below the fold:
New Zealand comedy duo Flight of the Conchords, consisting of Bret McKenzie and Jemaine Clement, had a two-season TV series in 2007–09 full of inspired parody and goofy adventures. The show’s language is generally mild or euphemised:
So when truly strong language is called for, it’s a big deal. Here, mild-mannered and long-suffering band manager Murray Hewitt finally loses his patience:
The Four Femmes on the Thames are a cabaret-style group who specialise in old-style jazz and swing music with a comedy twist. Their song ‘Woman Up’ was described by Holly Brockwell at Gadgette as the sweary feminist anthem of the year. I’m sure you can see the Strong Language angle (and appeal) already.
The title, if you’re wondering, inverts the sexist idiom man up, and instead of grow a pair the Femmes suggest that people grow a twat, recalling a quip (‘Grow a vagina – those things can take a pounding’) often misattributed to Betty White. The song is a 3-minute NSFW delight; lyrics and more below the fold:
“…She did call me rascal, fiddler, / And twangling jack, with twenty such vile terms,” a beaten-up Hortensio cries after a rough music lesson with the titular “shrew,” Katherine, in Shakespeare’s The Taming of the Shrew (2.1.155-6). To the delight of Strong Language readers, the comedy gives us much more than twenty vile terms. And I think they still have a lot of vim and vigor today.
Scottish comedian Limmy has some fun with action film clichés in this short (NSFW) sketch from his superb Limmy’s Show. It mixes familiar ideas, like the escalation of insults, with completely unexpected turns like, well, you’ll see. Let’s just say it gives the phrase bad language a new meaning. Transcript follows below the fold.