I’m lucky enough to live in a multicultural city where I can walk a block to a restaurant advertising “poke sushi burrito,” so a lot of food-based ethnic slurs seem almost quaint to me—though that’s not to diminish the hurt they’ve caused. I thought I’d dig into the origin of some of these slurs and look at how their power has shifted.
By food-based slurs, I’m not referring to words like banana, used to describe people of Asian descent in Western countries who are “yellow on the outside, white on the inside.” I’m focusing on expressions attacking foods that people choose to include in their diets.
Food is an integral part of culture, yet it seems to be one of the easiest, most accessible ways to cross cultural boundaries. Othering cultures based on what they will and won’t eat certainly still goes on, as we see from perennial jabs at Asian cultures as dog eaters and White nationalists’ bizarre obsession with milk, but with our access to a greater variety of ingredients than ever before, insulting someone based on what they use to nourish themselves comes off as especially lazy. It’s the ill intent and the othering that causes the harm, but food-based slurs feel particularly flaccid because their primary effect is to shine a light on the unworldliness of the speaker.
What food-based ethnic slurs do you have in your culture? Share them in the comments! Continue reading →
Shakespeare’s The Winter’s Tale is best known for what’s probably the most famous stage direction in the history of English drama: “Exit, pursued by a bear” (3.3.57). But the Bard slips in another memorable line that’s sure to get a rise out of lovers of language – and pleasure. At one point, a servant describes Autolycus, a rascally, villainous pedlar who shows up at a local feast:
He hath songs for man or woman, of all sizes; no milliner can so fit his customers with gloves. He has the prettiest love songs for maids, so without bawdry, which is strange with such delicate burdens of dildos and fadings, ‘Jump her and thump her’; and where some stretch-mouthed rascal would, as it were, mean mischief and break a foul gap into the matter, he makes the maid to answer, ‘Whoop, do me no harm, good man’; puts him off, slights him, with ‘Whoop, do me no harm, good man!’ (4.4.190-98)
Burden of…dildos?! That’s right: Shakespeare used the word dildo.
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Sometimes a gesture can convey a message more satisfactorily than words. Why tell someone to fuck off when you can just give them the finger? We like to think that gestures can transcend language, or that they are a more universal form of communication, but we only have to look at the difference in the offensive gesture repertoire of North American and UK English speakers to know this is not true. In fact, Americans are deprived of a particularly satisfying offensive gesture, and it causes much mirth for Brits, Australians and New Zealanders.
The ‘up yours’ gesture is made with the index and middle finger raised and parted, and the palm facing towards yourself. It has similar connotations to the ‘middle finger’ gesture, but with an added element of defiance. The hand may be moved up and down for added effect. The gesture is demonstrated by this besuited chappie:
(Image from Morris et al. 1979)
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