In the 1950s the aerospace corporation Lockheed developed a single-seat, high-altitude plane under great secrecy, built by a small team of engineers in the company’s Skunk Works facility. The craft was not designated B or F, being neither bomber nor fighter: this was a spy plane. But an R for reconnaissance would not be discreet, so it was given a low-key U, for utility, and a 2 for its place in the development chain.
That’s the official story behind the U-2’s name, and there’s no real reason to doubt it. But there’s an apocryphal – and sweary – alternative, described by Phil Patton in his book Travels in Dreamland: The Secret History of Area 51 (Orion, 1997). Patton’s anecdote features top test pilot Tony LeVier and pioneering aircraft designer Clarence Johnson, who ran Skunk Works and was nicknamed Kelly for his pugnacious streak.
On the U-2’s maiden trip in 1955, LeVier was in control and Johnson flew behind in support. It was a tough aircraft to fly, nicknamed the Dragon Lady for good reason, apparently:
When dance-lord Michael Flatley said he would perform at Donald Trump’s inauguration ball in January, someone cheekily redirected colossalbellend.com to Flatley’s website. (It now points to Trump’s Twitter page.) Reporting on the story, the Guardiannoted: ‘Bellend is a British insult.’
Helpful, but short on detail. What kind of insult is bell-end? What does it mean, and how is it used? Where did it come from, and when, and why? And what’s bell end brie? If you gotta have more bell-end, you’re in the right place: Let Strong Language ring your bell.
Fuck, shit, bollocks, twat, bloody, and cunt are not the seven words you can never say on television – they’re six words that Susie Denthas said on television. Susie Dent’s Guide to Swearing, a new mini-series from Channel 4, offers an informative and irreverent summary of the history and use of some of our favourite bad words. You can watch the full series below.
A word-history specialist and broadcaster, Dent has written several books on language, most recently Dent’s Modern Tribes. She is best known as the resident lexicographer in ‘dictionary corner’ on Countdown, a perennially popular British TV game show. We can’t not mention that Countdown inadvertently produces the odd rude word to great general amusement.
Though she went to a convent school and was not allowed to swear at home (aside from an occasional bloody that ‘managed to fly below the radar’), Dent tells me she didn’t rebel into foulmouthedness. She loves swear words but doesn’t swear often – except at moments of stress or pain, when it ‘most definitely helps’. There’s a word for that:
It’s the Year of the Cock. No, no, not that Year of the Cock, when TIME named Donald Trump its 2016 Person of the Year. Today marks Lunar New Year, and for many of its Chinese celebrants, 2017 is the Year of the Rooster – or, if we’re not so prudish, Cock. But what’s all this cockeyed rooster/cock cockamamie about, anyway?
Shakespeare’s The Winter’s Taleis best known for what’s probably the most famous stage direction in the history of English drama: “Exit, pursued by a bear” (3.3.57). But the Bard slips in another memorable line that’s sure to get a rise out of lovers of language – and pleasure. At one point, a servant describes Autolycus, a rascally, villainous pedlar who shows up at a local feast:
He hath songs for man or woman, of all sizes; no milliner can so fit his customers with gloves. He has the prettiest love songs for maids, so without bawdry, which is strange with such delicate burdens of dildos and fadings, ‘Jump her and thump her’; and where some stretch-mouthed rascal would, as it were, mean mischief and break a foul gap into the matter, he makes the maid to answer, ‘Whoop, do me no harm, good man’; puts him off, slights him, with ‘Whoop, do me no harm, good man!’ (4.4.190-98)
Burden of…dildos?! That’s right: Shakespeare used the word dildo.