As much as the youthful Norman Mailer may have enjoyed inflating his self-image by inundating friend and foe with a superheated geyser of “fucks,” his favorite word wasn’t acceptable for the printed page in 1948. The disgruntled (read “pissed-off”) Mailer was forced to substitute the word “fug” for “fuck” in his gritty war novel The Naked and the Dead. The story goes that this prompted the waggish starlet Tallulah Bankhead to say upon first meeting Mailer, “So you’re the young man who can’t spell fuck.” If Mailer never wanted to see—or say—another “fug” in his life, there was a counter-culture rock group that thought the euphemism was the ideal name to have to “stick it to” the establishment of the 1960s.
Enter The Fugs. Continue reading