It’s a couple of years since our last fuck shit stack of sweary songs, and almost five since we began this series at the Rotten Cocksuckers’ Ball. So it’s about fucking time we posted some more bawdy blues and mothercussin’ melodies.
Much of the audio below is NSFW, if that still means anything, but it straddles the range from super-profane to merely suggestive. Genre-wise it’s cheerfully all over the place, so if you don’t like one, try the next.
LaVern Baker and Jackie Wilson clearly enjoyed this party version of ‘Think Twice’:
I said you better think twice, Jackie
Before you call me a dirty ho
I’ve got news for you, little boy
Don’t fuck with me no mo’
My last collection of sweary songs began with some vintage a cappella filth about cocksuckers. For balance, I’ll start this one with The Fourskins’ winning ditty ‘Her Vagina’ (most audio that follows is VNSFW):
Want ruder? Harry Roy and His Orchestra sang about ‘My Girl’s Pussy’ almost a century ago. Warning: this one has serious earworm potential:
(Comic artist R. Crumb and his Cheap Suit Serenaders introduced me to the song.)
A lyric for our times: ‘Bloody Mother Fucking Asshole’ by Martha Wainwright:
“Strong language” covers a lot of speech, from profanity to racial and ethnic slurs. The slurs got a big boost on 17 June 2017, in a United States Supreme Court decision. Until then, the Lanham Act of 1946 — which governs American trademark law — prohibited use of derogatory terms like slurs in federally approved trademarks. To quote the Act, trademarks may not “disparage … persons, living or dead, institutions, beliefs, or national symbols, or bring them into contempt, or disrepute.” The Court unanimously decided instead that trademark owners can disparage with abandon and bring others into contempt or disrepute deliberately or with disregard.
In the words of Justice Samuel Alito, who wrote the majority opinion, Simon Tam — founder of The Slants, the first all Asian-American dance-rock band — applied “for federal trademark registration of the band’s name […]. ‘Slants’ is a derogatory term for persons of Asian descent, and members of the band are Asian-Americans. But the band members believe that by taking that slur as the name of their group, they will help to ‘reclaim’ the term and drain its denigrating force.” The United States Patent and Trademark Office refused the application because slant refers to the disparaging stereotype that people of Asian heritage are “slant-eyed.” The band hoped to “‘take ownership’ of stereotypes about people of Asian ethnicity.” The USPTO obstructed that re-appropriation. Continue reading
British comedy singing group Fascinating Aïda have some wise words of advice for you this Christmas:
Lyrics below the fold:
The Four Femmes on the Thames are a cabaret-style group who specialise in old-style jazz and swing music with a comedy twist. Their song ‘Woman Up’ was described by Holly Brockwell at Gadgette as the sweary feminist anthem of the year. I’m sure you can see the Strong Language angle (and appeal) already.
The title, if you’re wondering, inverts the sexist idiom man up, and instead of grow a pair the Femmes suggest that people grow a twat, recalling a quip (‘Grow a vagina – those things can take a pounding’) often misattributed to Betty White. The song is a 3-minute NSFW delight; lyrics and more below the fold: