It’s the Year of the Cock. No, no, not that Year of the Cock, when TIME named Donald Trump its 2016 Person of the Year. Today marks Lunar New Year, and for many of its Chinese celebrants, 2017 is the Year of the Rooster – or, if we’re not so prudish, Cock. But what’s all this cockeyed rooster/cock cockamamie about, anyway?
As far as strong language goes, sausage party is hardly spicy. It’s a mild slang term for a social gathering in which men greatly outnumber women, usually expressed with a sense of bro-ish disappointment by its male members, er sausages. But a new adult computer-animated movie, Sausage Party, is getting a big rise out of its ham-handed innuendo.
New Zealand comedy duo Flight of the Conchords, consisting of Bret McKenzie and Jemaine Clement, had a two-season TV series in 2007–09 full of inspired parody and goofy adventures. The show’s language is generally mild or euphemised:
So when truly strong language is called for, it’s a big deal. Here, mild-mannered and long-suffering band manager Murray Hewitt finally loses his patience:
While we flip the bird at explicit language advisories on this blog, I do want to issue a trigger warning for this post due to fictional content about rape.
That’s a hell of way to kick off a little language study, huh? But even by today’s standards, Shakespeare’s Titus Andronicus, with its human sacrifice, gang rape, and cannibalism, is just brutally fucking violent. Amid all its carnage, though, is some sexual wordplay that sounds, well, shockingly modern for a play written over 400 years ago.
The Four Femmes on the Thames are a cabaret-style group who specialise in old-style jazz and swing music with a comedy twist. Their song ‘Woman Up’ was described by Holly Brockwell at Gadgette as the sweary feminist anthem of the year. I’m sure you can see the Strong Language angle (and appeal) already.
The title, if you’re wondering, inverts the sexist idiom man up, and instead of grow a pair the Femmes suggest that people grow a twat, recalling a quip (‘Grow a vagina – those things can take a pounding’) often misattributed to Betty White. The song is a 3-minute NSFW delight; lyrics and more below the fold: