With Joe Pesci back in the spotlight thanks to The Irishman, and Christmas just around the corner, I’ve been remembering one of his finest performances – as hapless burglar Harry Lyme in Home Alone. It’s easy to forget how against-type this role was for Pesci, best known for playing menacing, foul-mouthed criminals in gangster films like Casino:
(Don’t miss the TV version, with its fancy hecking swear-avoidance.)
When Pesci was sent the script for Home Alone, he ‘saw he could do something with it’, according to executive producer Mark Levinson. But the filmmakers knew that Harry Lyme would be a challenge for Pesci. In a behind-the-scenes featurette on the DVD, director of photography Julio Macat says:
This is a guest post by Monika Bednarek, a linguist who has extensively analyzed US TV series. She is the author of Language and Television Series and the editor of Creating Dialogue for TV, a collection of interviews with Hollywood screenwriters. She has created a companion website at www.syd-tv.com and tweets at @corpusling.
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The use of swear words in US TV series attracts a lot of attention. There are those who revel in creating mash-ups of swearing, and there are those who monitor and oppose swearing (like the Parents Television Council). Rules by the Federal Communications Commission restrict the broadcasting of profane and indecent speech to the evening and night and forbid obscene speech. But these rules don’t apply to subscription-based television such as cable or streaming services. Elsewhere I’ve looked at how frequent swearing is, but here I want to approach swearing a little differently. Basically, what I’m asking is: How do TV series use swear words? And what are their functions?
Let’s start with the first question. Most TV series do seem to use at least one swear word, especially if expressions such as oh my god are counted. But there are a lot of different ways in which TV series can handle swears. I’ve tried to catalogue some of these below.
Previous bitch chronicles considered the stylistic opportunities that bitch and its derivates (son of a bitch) and euphemisms (son of a me) provide situation comedies like How I Met Your Mother (HIMYM — for basic facts about the show, see part 1), especially in the pace and punch of dialogue and in characterization. Some bitchy items support pop-cultural references bound to resonate with viewers as well as characterize the show’s protagonists. You son of a beech, for example, coordinates with cross-season references to The Princess Bride that characterize Ted Mosby and Marshall Erikson’s inner-childishness, yet it also allows Lily Aldrin a slightly euphemized signature swear consistent with her paradoxical personality. Some bitches in the series may misappropriate African American speech, and sometimes the characters use bitch as a weapon rather than a means of building in-group solidarity, so bitch has its dark side in the series, as it does in life. Thus, HIMYM is a rich, complex, and accurate description of bitch, its uses and abuses. Continue reading
My last collection of sweary songs began with some vintage a cappella filth about cocksuckers. For balance, I’ll start this one with The Fourskins’ winning ditty ‘Her Vagina’ (most audio that follows is VNSFW):
Want ruder? Harry Roy and His Orchestra sang about ‘My Girl’s Pussy’ almost a century ago. Warning: this one has serious earworm potential:
(Comic artist R. Crumb and his Cheap Suit Serenaders introduced me to the song.)
A lyric for our times: ‘Bloody Mother Fucking Asshole’ by Martha Wainwright:
This is a guest post by Dr Philip Seargeant, Senior Lecturer in Applied Linguistics at the Open University. Philip has published extensively on linguistics in social media and politics, and helped create the acclaimed video series The History of English in Ten Minutes. He was last seen on Strong Language with an article on emoji swearing. He tweets at @philipseargeant.
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Blowjobs have played an occasional but important part in political history. The most notable recent example, of course, involved Bill Clinton. It was his equivocation over the nature of his relations with Monica Lewinsky that led to him being impeached on perjury charges. A century before Clinton, another president had an even more decisive oral-sex-related experience. Félix Faure, President of the French Republic between 1895 and 1899, was unlucky enough to die in office from a cerebral haemorrhage which he supposedly suffered while being fellated by his mistress.
The latest entry in the annals of political crises involving blowjobs doesn’t concern the act itself, however, but rather the word. Specifically, it concerns the use of the word as a political insult. And even more specifically, an insult expressed by means of car vanity plates.