This is a guest post by Orin Hargraves, an independent lexicographer, language researcher, and past president of the Dictionary Society of North America. Orin is the author of several language reference books, including It’s Been Said Before: A Guide to the Use and Abuse of Clichés (Oxford) and Slang Rules!: A Practical Guide for English Learners (Merriam-Webster).
A few years ago I wrote about how collocations in fiction skew the statistics of collocations in a corpus because of their extremely frequent use; Ben Zimmer expanded on the idea in a later New York Times piece. In summary, the point is that a number of collocations would not be statistically significant were it not for their appearance in fiction. This is because writers of fiction—particularly writers of the amateur, unedited fiction that appears online—tend to reuse the same tropes and phrases so much that these effectively become clichés, formulaic ways of expressing the same (rather tired) ideas and events.
All of that came to light when I was working with the Oxford English Corpus, a well balanced and carefully curated corpus that, at the time, had about two billion words of English. These days I’m working with the enTenTen13 corpus, a web-crawled corpus of nearly 20 billion words, owned and made available by Sketch Engine. Sketch Engine’s web-crawler roves the Internet indiscriminately, pulling text from wherever it can be found. Like some grandmother aghast in Greenville, the web-crawler regularly comes upon sites with pornographic content. The difference between the grandmother and the web-crawler is that while she may avert her gaze in shock and dismay, the web-crawler grabs the text, parses and tags it, and adds it to the corpus. The result is that enTenTen13 houses a steaming, pulsating trove of pornographic writing.
Sign languages are as expressive and systematic as spoken languages, and that includes taboo words. As Benjamin Bergen writes in What the F, ‘Signers use rules of grammar, some of them specific to profanity, just like speakers of spoken languages.’ There’s also great variation in how a given idea may be conveyed – not just between sign languages or their dialects but within them.
If Cory O’Brien’s terrific post on the middle finger in American Sign Language made you want to increase your rude repertoire in ASL, look no further. The video below features a host of signers demonstrating some favourite insults and profanities. It also shows how much fun swearing can be.
In the 1950s the aerospace corporation Lockheed developed a single-seat, high-altitude plane under great secrecy, built by a small team of engineers in the company’s Skunk Works facility. The craft was not designated B or F, being neither bomber nor fighter: this was a spy plane. But an R for reconnaissance would not be discreet, so it was given a low-key U, for utility, and a 2 for its place in the development chain.
That’s the official story behind the U-2’s name, and there’s no real reason to doubt it. But there’s an apocryphal – and sweary – alternative, described by Phil Patton in his book Travels in Dreamland: The Secret History of Area 51 (Orion, 1997). Patton’s anecdote features top test pilot Tony LeVier and pioneering aircraft designer Clarence Johnson, who ran Skunk Works and was nicknamed Kelly for his pugnacious streak.
On the U-2’s maiden trip in 1955, LeVier was in control and Johnson flew behind in support. It was a tough aircraft to fly, nicknamed the Dragon Lady for good reason, apparently:
The British police drama Broadchurch can be gritty, uncompromising and bleak, but rarely sweary. Despite the grim events that rock the small coastal town, whole episodes pass without any strong language other than the occasional expletive shit or bloody hell. By the time that Cath Atwood gets coarse in S03E05, it’s because her husband and best friend’s affair has truly fucked her up:
Last October, when the Trump/Pussygate story broke, I said it would “go down in history as a watershed moment in public profanity.” Now, six months into the Trump administration, we’ve come to another banner day for profanity, as the New Yorker‘s Ryan Lizza reports on a remarkable conversation with Anthony Scaramucci, aka the Mooch, Trump’s incoming communications director. Scaramucci unloaded on White House chief of staff Reince Priebus, with a side order of profanity devoted to Trump’s chief strategist Steve Bannon. And news outlets all over the world are reporting on it.