If you go to Louisville, Kentucky — as my wife and I do as frequently as we can — you have to eat, so you’re always on the lookout for worthwhile restaurants. Frankly, we tend to eat at our favorite spots whenever we visit, but before our last weekend there, I checked the restaurant-tagged Google map for new places. There was one of our favorites, Doc Crow’s — oysters on the shell, exceptional pork rinds — and just behind it was a bar called The Troll Pub. I clicked over to its website and immediately exclaimed “What the fuck?” which was only partly an expression of my incredulity, because at The Troll Pub they have WTF happy hours — Wednesdays, Thursdays, and Fridays — so I was also just reading what was in front of me. But what an offense! I stared in disbelief at WTF, a perfectly good profanity, brought down by a marketing pun. “How often are we taken in by this indirection?” I wondered. In fact, it happens more than you’d think, let alone hope. I learned this when shopping around for fun game night games, some of which perpetrate similar puns.
I still maintain that slang is good for you, but, sometimes, profanity is even better. Slang is playful and facetious, the story goes, the language by which groups hang together. Profanity, on the other hand, is supposedly coarse and mean. Well, that’s true enough, in some cases, but I’ve recently been reminded that profanity is occasionally the lighter alternative, that the relevant slang is what’s coarse and violent. Yes, I’m talking about sex, or, more precisely, the language of sex — not copulate or get it on, but the relative value of fuck and bang or nail.
During her storied career as a stage, film, and television actress, Kristen Bell has received many honors and awards — she has a star on the Hollywood Walk of Fame, at 6225 Hollywood Boulevard! — but, until now, no one has recognized her as the Queen of Television Euphemism. From her thespian throne, she ruled 2019, first as Eleanor Shellstrop in Seasons Three and Four of NBC’s The Good Place, a series in which profanity is automatically and ontologically replaced with euphemisms. Eleanor tries to say things like “motherfucking shitballs,” but they all come out like “motherforking shirtballs.” So, there’s no swearing in the Good Place, except that the Good Place is actually the Bad Place, so it’s hard to tell whether euphemism is diabolical or divine. Then, thanks to Hulu, Bell reappeared as Veronica Mars, grown-up private eye, in Season Four of Veronica Mars, another show in which euphemism is practically a character. Continue reading
Previous bitch chronicles considered the stylistic opportunities that bitch and its derivates (son of a bitch) and euphemisms (son of a me) provide situation comedies like How I Met Your Mother (HIMYM — for basic facts about the show, see part 1), especially in the pace and punch of dialogue and in characterization. Some bitchy items support pop-cultural references bound to resonate with viewers as well as characterize the show’s protagonists. You son of a beech, for example, coordinates with cross-season references to The Princess Bride that characterize Ted Mosby and Marshall Erikson’s inner-childishness, yet it also allows Lily Aldrin a slightly euphemized signature swear consistent with her paradoxical personality. Some bitches in the series may misappropriate African American speech, and sometimes the characters use bitch as a weapon rather than a means of building in-group solidarity, so bitch has its dark side in the series, as it does in life. Thus, HIMYM is a rich, complex, and accurate description of bitch, its uses and abuses. Continue reading
Earlier bitch chronicles have celebrated highly evolved bitches, but How I Met Your Mother (HIMYM) acknowledges bitch’s baser uses, too. For instance, you can deploy weaponized bitch against people you hate or despise. You can use it glibly to abuse anyone outside your own group, exactly the opposite of using bitch to build solidarity within the group. But you cannot use basic bitch against a woman friend, neither to her face nor indirectly in a way that gets back to her. HIMYM demonstrates over and over just how rhetorically and stylistically impressive a bitch can be, but some bitches confront a stone face and stop time. Continue reading