We’re pleased AF to let you know that “History of Swear Words,” will launch on Netflix January 5, 2021. The series—six 20-minute episodes—will consider the etymologies, false etymologies, and usage of six classic swears: fuck, shit, dick, bitch, pussy, and damn.
We’re especially pleased that one of our Strong Language co-fuckers, lexicographer Kory Stamper, was one of the consultants for the show. The other experts include cognitive scientist and author of What the FBenjamin Bergen; linguist Anne Charity Hudley; professor of feminist studies Mireille Miller-Young; film critic Elvis Mitchell; and author of Holy Sh*t: A Brief History of Swearing Melissa Mohr.
Nicolas Cage will host.
More details here. And let’s hope for a second season so we can delve into asshole, cunt, cocksucker, and other sweary faves.
Sentimentally, we like to think that ladies of an earlier time — mostly our grandmothers and great-grandmothers — lived virtuous lives, without swearing. When Joseph Mitchell profiled A. S. Colborne, who spent much of his life trying to exterminate profanity, for The New Yorker in 1941, he captured the paradoxical view of women’s swearing, partly as a function of class, at that time. When Mitchell visited one day, Colborne explained, “I’m sort of sleepy … Sat up late last night studying over bar and grill profanity. Why, the women are worse than the men. And you can’t talk to them! Why, they’ll spit in your eye!” But then, he remembered that when he first started admonishing swearers on the street, he would insist, “‘Your dear old mother never taught you to talk like that. Think it over!” But maybe some mothers did, and some classy women of the mid-twentieth century apparently swore a lot, whatever our mythology.
I was reminded of this while reading Janet Somerville’s new selection of Martha Gellhorn’s letters, Yours, for probably always (Firefly Books, 2019) and then Caroline Morehead’s Gellhorn: A Twentieth-Century Life (Henry Holt and Company, 2003). Gellhorn is a remarkable writer, perhaps most famous for her war reporting. The final edition of The Face of War (1988), collects dispatches from the Spanish Civil War, the wars in Finland and China, Word War II, wars in Java and Vietnam, the Six Day War, and Central American wars. She wrote fiction, too, perhaps most importantly The Trouble I’ve Seen (1936), four stories about the Great Depression. To my mind, Gellhorn is one of the best American writers of the twentieth century.
Yes, 2020 has been a shitshow, but at Strong Language we still observe the niceties—or the naughtyties—of ritual and tradition. Here are gifts that evoke the spirit of the season and the whole fucking year.
Thank you, Dana Bash, for the most concise and quotable characterization of the first Trump-Biden debate.
And, by the way, she did not – as some news sources are putting it – say “a shit show.” There’s an important difference. The Star Wars Holiday Special was a shit show: it was a TV show and it was shit (Mark Hamill confirms). The debate was a shitshow. A clusterfuck. A shambolic bumbleplex of wanktastic dimensions. As horrifying as if you let a vulgar beshitten amphetaminated overgrown toddler scream at an elder statesman and called it a “debate.” Which, actually, yeah. Levels worse than a shit show (Mark Hamill also confirms). If you want to know more about the origins et cetera of shitshow, Nancy Friedman laid down the good shit a few years ago here in “What a shitshow!”
But that leads us all to an important question, a question that it took a highly respected bestselling writer – and one of the absolutely nicest people on Twitter – to ask:
Replies poured in. Which makes me happy, not just because I love languages and I love the earthy colloquial words in them best, but because, unlike Trump’s shithole or Scaramucci’s fucking paranoid schizophrenic, cock-block, and suck my own cock, Bash’s shitshow didn’t get nearly as much notice in the international press. Believe me, I looked. In general, it seems, the international press didn’t give a shit and didn’t show up for this debate. (Good call.) So I rely on Celeste Ng’s Twitter respondents to inform us, with a bit of my own occasional additional looking up to check some details.
When Nancy Friedman, who writes about sweary brand names for Strong Language, discovered a California audio-equipment company called Schiit and a Norwegian travel-bag company called Douchebags, she couldn’t keep the story to herself. She emailed trademark lawyer Anne Gilson LaLonde, who’s written for Strong Language about “scandalous” and “offensive” marks, and asked: WTF? What follows is their online conversation, condensed and edited for clarity. Style note: We’re following the convention in trademark law to use all capital letters for trademarks. When referring to the business itself, we capitalize only the first letter of the name.