Here are some of the things I’ve seen characterized as a shitshow (or a shit show) during the last 115 days:
Go back just a little further and we have late-night host John Oliver’s “Clowntown Fuck-the-World Shitshow 2016” (March 2016); fellow late-night host Samantha Bee’s “most deranged electoral shit show in a generation” (February 2016) and “Shit Show the Musical” (à propos the presidential inauguration); and Michael Moore’s “My friends, this … is … a shit show” (also à propos the inauguration, at :55 in the video). In the March 2016 issue of the Atlantic Jeffrey Goldberg reported that President Obama privately called the situation in Libya a shit show. (In public, he called it a “mess.”)
And that’s very far from a comprehensive list. It’s enough to make one agree with this sentiment from @hugetiny in Austin, Texas:
Swear words are powerful things. We use them in anger, in passion, in unguarded moments of strong emotion. But because they’re taboo, we often skate over them and pretend, maybe even to ourselves, that they occurred in a moment of weakness – that they’re not part of who we ‘really’ are. That this is precisely what they are underlies the great appeal of, and need for, the book reviewed here.
Profanity historically has been under-studied, disparaged or ignored by mainstream academia. But some research on it is highly revealing or suggestive, and it is expertly presented in Benjamin Bergen’s What the F: What Swearing Reveals about Our Language, Our Brains, and Ourselves (publisher Basic Books kindly sent us a copy for review). Bergen is a professor of cognitive science in San Diego, and he describes his book winningly, and accurately, as ‘a coming-out party for the cognitive science of swearing’.
This is a guest post by Michael Adams, Professor of English at Indiana University Bloomington, past president of the Dictionary Society of North America, and author of several books on language. Michael previously wrote here about Donald Trump’s swearing, and will be joining Strong Language as a contributor in the coming months.
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In a recent review of my book, In Praise of Profanity, on Strong Language, Stan Carey notes that I’m guilty of an “occasional lapse, such as the Americocentric suggestion that it’s ‘hard to imagine’ when the word cunt isn’t face-threatening — it quite often isn’t in Australia, Ireland, and parts of the UK, particularly Scotland.” Our language attitudes tether us to a time and place, and I must own my parochialism.
As if parochialism weren’t bad enough, I may have been wrong about the American status of cunt, too. I’ve come across evidence of cunt’s re-appropriation as a term of endearment — not unalloyed BFF endearment but a grudging, competitive willingness to get along well supported by a word all the riskier because it’s used in unfriendly ways against women.
Linguist Geoff Nunberg considers the media’s coverage of the Donald Trump pussy-grab tape: “The word Trump used may not be the most obscene term for a woman’s genital area. But it’s the one that focuses on it in a purely sexual way.” (Also see our own posts on the subject: A Banner Day for Profanity, by Ben Zimmer; Pussy on a Hot Trump Mic, by Copy Curmudgeon; and Watershed Moments: Donald Trump, Rakeyia Scott, and the Times, by Blake Eskin.)
Speaking of Trumpian vulgarities, Language Log ponders the candidate’s use of “like a bitch.”
Arnold Zwicky tracks down the history of jackhole: coined by two Los Angeles radio personalities to circumvent Federal Communications Commission language proscriptions.
(Hat tip: @scarequotes)
Swearing has long been disreputable and in many ways still is. But it has never gone away, and (at the risk of confirmation bias) it seems more visible than ever. We see and hear it not just among friends, family and neighbours but at work, on the news, and in cultural media from billboard ads to high literature – albeit often euphemised. Are we living in a capital-A, fuckin’-A Age of Profanity?
Michael Adams, in his new book In Praise of Profanity (OUP, 2016) makes a persuasive case that we are. Though not a book about the history or science of profanity, it draws on both in aiming more immediately to examine and celebrate the swearing performance itself – the feeling, the experience, the phenomenon of profanity.